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I know specifically for Mario there is something coming up. That’s such a powerful element to it and in reality I don’t think people have that much time to make out in the linen closet when they should be saving lives. But I think that all of that will be mostly contained to maybe five percent of the overall focus of what we do and the rest will remain focused on the drama and the patients. Of course with time, when you work in such close quarters with people, things are going to start to happen. Is that going to change as the season goes on?īH: I think as you get to know the characters a little more you’ll start to see little relationships start to develop.
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TTVJ: Code Black is very different from any other medical drama in that it seems to focus mostly on the medical side of things instead of the personal relationships. We’re all very proud to tell these stories every week. It can make for some very long days, but it’s very fulfilling for us. So when we’re not filming we’re rehearsing the next scene.
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We have medical rehearsals so we go over the medical terms, the medical procedures, who’s doing what when, what that’s doing to the patient, and how to do it. Even though it’s chaotic these people need to know exactly where they’re going and exactly what to say. Because it’s chaotic we have to make it controlled chaos.
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There’s a lot of choreographing that happens. TTVJ: How much preparation goes in to those crazy scenes in the ER? Is it a lot of work done in the editing bay or is it a bit of a fine dance when filming?īH: No, there’s so much. It becomes like an obstacle course at a rock concert. And we’ve got patients and blood and four cameras and about fifty to sixty nurse extras all yelling and screaming and talking at the same time.
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You know, those scenes where there’s eight of us series regulars in the mix and six pages of dialog and it’s all medical speak. We just broke for lunch here and I had to kind of take a bit of a lay down because we have gone at it for about eight hours, and we’re in a Code Black scene which is when we’re all on center stage and there’s four beds and they’re all filled up.
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We kind of set out to do something authentic and intense and we accomplished that–maybe a little too well some days.īH: It is as intense to film. Is it supposed to give us anxiety every week?īen Hollingsworth: Yeah it’s pretty intense but we make no apologies for that. The TV Junkies: Code Black is intense from start to finish of every episode. Mario Savetti, The TV Junkies spoke to one of Code Black‘s new residents, Ben Hollingsworth. To get an inside look at filming those Code Black scenes, and to learn a little more about Dr.
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It isn’t for the faint of heart, but if you can handle the blood and the anxiety inducing scenes you will be in for quite the thrill ride. So instead of focusing on the personal lives of its characters, Code Black is all about the medicine.Īs can be expected, Code Black’s situations get a little crazy, and the scenes are intense to watch, keeping us firmly on the edge of our seats from start to finish.
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While most ERs go into a “Code Black” situation–where the number of patients outnumbers the resources available to treat them– five times a year, Angel’s Memorial enters this state 300 times per year. Code Black isn’t your typical medical drama, and the emergency room at Angel’s Memorial Hospital isn’t your typical emergency room.